It’s amazing how a fragment of story can glitter when it’s brought into the light of day. The other day a friend sent me a coffee table book celebrating some amazing characters who’d been quietly serving the remote areas of Australia for a hundred years. Its title gives the game away, ‘Never Too Far, Never Too Few’ – it’s the story of a group humbly calling themselves ‘Bush Church Aid.’
 
It was launched at a time of crisis in Sydney in 1918 - the Spanish influenza pandemic was gripping the post-war world. Everywhere Australians were withdrawing into self-protection mode while some in the Anglican Church took this initiative to reach out to the forgotten people of the Bush.
 
The photo of a strong-featured face grabbed my attention. It was the image of a confident woman, upright and looking straight into the lens, full of conviction.  And the bones of her story say she was. With her good looks and a noble name like Madaline Rose Delacour de Labilliere, she could easily be the heroine of a Mills and Boon romance.
 
She was in fact a romantic, but a lady of a much more robust stamp than a paperback hero.

​Just before the turn of the twentieth century, a young Australian and a young English immigrant landed in the South Island of New Zealand, both destined to become remarkable storytellers. At thirty, Henry Lawson had already carved his name into the minds of Australians hungry for a storyteller who could speak to them about themselves with an authentic, native voice.
 
Tragically, his stay in ‘Maoriland’ as he called it, was a disaster and his personal life spiralled down into alcoholism from this point on. He was bitterly disappointed with the critics’ reception of his torrent of writing. Just the same, a century or more later, his poems and short stories are still being studied by school children across Australia.
 
Twenty-five-year-old Frank Boreham arrived in Dunedin, an unknown English clergyman with a sharp eye for characters and an untried gift for crafting the humblest event into a tale of cosmic significance. The pulpit of his tiny congregation of craggy Scots in Mosgeil on the Southern-most tip of ‘The Land of the Long White Cloud’, became the springboard which launched him as ‘the greatest Christian essayist of all time.’ (Gordon Moyes)
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Yet, today he remains mostly unknown. 

​If you’ve heard ‘The Old Rugged Cross’ played on the gumleaf, you never forget it. I first heard it standing under the ghost gums that stood stark white against the ochre walls covered in the rock art of the Ngemba people. I was leading a tour group at Mt Gundabooka, a rugged range that lies like a goanna on the horizon South of Bourke.
 
The musician was Bill Reid, a pastor of the United Aboriginal Mission, who winked at me from under the tilted brim of his Akubra, quietly selected a leaf, cupped it between his knotted shearer’s hands and began to play. The intrigued tour group eagerly gathered around. That moment is etched in my mind – Pastor Bill, white haired and erect, playing a song of Christian faith in a canyon that had echoed to clapsticks and corroboree of Aboriginal people for many centuries. 

 When travelling, I’ve developed an eagerness to unearth buried faith stories in the towns I pass through. It can be a rough, ready and random process at times, but that’s the fun of it.  Recently,  taking a break in Young, the cherry capital of NSW, I was startled to read that a leader of the Australian Chinese community had declared about a chapter of local history, “This is our Schindler’s List!”
 
Now that’s a big call for a small-town story.
 
A quick flash back will give this context. In 1982 Australian novelist Thomas Keneally published Schindler’s Ark, a powerful piece of historical fiction about Oskar Schindler, a member of the Nazi Party who became an unlikely hero by saving the lives of 1200 Jews during the Holocaust. 1n 1993, Stephen Spielberg turned it into the highly successful movie Schindler’s List.
 
So, what could that Chinese man possibly be talking about? 

‘For Our Elders’ is the catch cry of NAIDOC WEEK 2023. This story is told to honour brave and compassionate men and women who pioneered the cause of Aboriginal civil rights in Australia.
 
In May 1937, a remarkable event took place in Melbourne. The grand finale of the concert marking the city’s foundation was an aboriginal choir singing ‘Burra Phara’, an African- American spiritual translated into the Yorta Yorta language. The Cummerugunga choir had learned it from black American students from Fiske University in Tennessee, who visited their Maloga mission near Echuca in 1886. The passionate music, expressing the yearning of the oppressed Hebrew people for freedom from Egyptian slavery, reached across 3000 years to touch the hearts of Australian aboriginals.
 
Almost certainly in the audience was a young William Cooper, the man destined to become one of the great Aboriginal elders who, like Moses, led his people on the long road to freedom. Wherever he went rousing support for his people’s civil rights, he was accompanied by a quartet who sang biblical songs like this.  
William Cooper, with his distinctive moustache, is pictured  here with family members who   supported him.